Gold in the interior: features of the use of color and texture of metal
Gold may not be the most expensive of metals, but it is precisely its brilliance that has become a symbol of luxury. The texture and color of gold is often used in interior design – it is beautiful and always visually increases the cost of decoration. But such elements should be introduced with caution, otherwise there is a risk of escaping from nobility to vulgarity. How to avoid this and apply the “gold” in the interior wisely – says today’s article of our magazine.
“Gold” in various styles of interior
Many believe that the golden glitter is relevant only in the classical style of the interior and its derivatives: neoclassic, Empire, Art Deco. But in reality, it can be no less relevant in modern styles, even such as loft or Scandinavian style. Therefore, if you do not have to monograms, carved furniture and ostentatious bling, this is not a reason to deny yourself the desire to bring in the design of the “golden” note.
The color and texture of gold
It is important to remember that at your disposal all the richness of texture and color of gold. For example, you can give preference not openly brilliant dusting, and a matte finish. In this case, the accents highlighted by “gold” will not seem so intrusive.
In addition, in the original, this metal may have different shades. Everyone knows that, in addition to the traditionally yellow, there is also white and rose gold – feel free to use it in your interior design! For example, in modern areas imitation of pink metal will look very harmonious.
Rule number 1: restraint
… At least in the context of this topic. Golden plating is great for highlighting accents – it will help add to the design of a living shine and desired gloss, but you should not get involved. Otherwise, at best, the room will look like a museum, and at worst – its not the most successful parody.
More = easier
Another formula that allows you to achieve a successful result in the use of “gold” in the interior: the more brilliance, the easier it should be the carrier. For example, a small ornate candlestick “under gold” can look quite neat. But a huge, multi-storey chandelier with pendants in the color of the same metal is already a big complaint. On the example of this photo, it is very clearly seen that the gold plating can also be used globally, but note: the facades of the kitchen unit are maximally concise, and the dusting is muted. At the same time, an elegant chandelier with traditional glittering gilding acts as an accent here.
